Nike debuted a video of Richard Williams coaching his then 9-year-old daughter Serena Williams. The commercial juxtaposes the images of Richard crouched next to a tiny Serena as he says, “This is you in the U.S. Open.” – The Root
Then there is this clip from an interview when she was 14-years-old when her father stepped in to defend his daughter and her dreams.
Celebrating athletes and the parents who supported their future dreams, gambatte Serena!
Rocket Labs, a spaceflight startup based in Los Angeles, secretly stowed away a “disco ball” satellite that has no other purpose than, “to encourage everyone to look up and consider our place in the universe.”
The satellite is a “geodesic sphere made from carbon fibre with 65 highly reflective panels. It spins rapidly, reflecting the sun’s rays back to Earth, creating a flashing light that can be seen against a backdrop of stars.” The company has put up the Humanity Star website where you can track the satellite’s progress across the sky and plan the best time to see it. The satellite will orbit the earth every 90 minutes for the next nine months until it falls out of orbit and burns up in the atmosphere.
Rocket Lab Founder and CEO Peter Beck shared the following statement.
For millennia, humans have focused on their terrestrial lives and issues. Seldom do we as a species stop, look to the stars and realize our position in the universe as an achingly tiny speck of dust in the grandness of it all.
Humanity is finite, and we won’t be here forever. Yet in the face of this almost inconceivable insignificance, humanity is capable of great and kind things when we recognize we are one species, responsible for the care of each other, and our planet, together. The Humanity Star is to remind us of this.
No matter where you are in the world, rich or in poverty, in conflict or at peace, everyone will be able to see the bright, blinking Humanity Star orbiting Earth in the night sky. My hope is that everyone looking up at the Humanity Star will look past it to the expanse of the universe, feel a connection to our place in it and think a little differently about their lives, actions and what is important.
Wait for when the Humanity Star is overhead and take your loved ones outside to look up and reflect. You may just feel a connection to the more than seven billion other people on this planet we share this ride with.
My last post, Democracy’s Soft Underbelly warned how algorithms for content distribution and advertising have been weaponized to alter public opinion.
The most disturbing aspect of the affair is there is no public evidence of the ad campaigns so there is literally nothing to talk about. When there is no public record of what ad creatives were used, there can be no debate over the of the veracity of the claims made or appropriateness of the imagery used. This recently changed as Facebook has now turned over evidence (most likely because of a warrant) to Special Counsel Robert Mueller who is looking into Russian hacking of the election.
Mueller’s investigation has received copies of the Russian-bought ads and details about the specific account information and targeting criteria the buyers used to distribute their ads, according to the (Wall Street) Journal, citing people familiar with the matter. TechCrunch
“Democracy dies in darkness” is the new Washington Post tagline. The only way to have an open civic debate about the new threat to public discourse posed by advertising on social media platforms is to review the evidence. There needs to be transparency about how advertisers are paying their way into the hearts and minds of their target audiences. With transparency comes accountability.
If you’re going to target me, I deserve to know. All ads and ad copy must be stored, shared, and freely available to anybody in a searchable database. So if I want to see ads targeted at African-Americans in a swing state, I can just type “African-Americans aged 35-60 with a college degrees” and show me all the ads that were done. – Jason Calcanis, This Week in Startups
This database of ads, freely available to the public, would expose any questionable or unethical activity by advertisers and hopefully prevent heavy-handed regulation of this industry which has been such an important driver of economic growth.
A democratic society evolves through transparency and public debate. Advertisers that operate in the open will be forced to self-regulate themselves in full view of public opinion. Without public exposure, advertising standards and interpretation of these standards will remain behind closed doors. In such a world, reform will come through an opaque and inevitably bureaucratic regulations that will stifle innovation.
Terry Gilliam’s 1985 film Brazil cast a satirical eye on a world where bureaucracy and regulation have run amok. Nothing can be done without the appropriate paperwork. Harry Tuttle (played by Robert De Niro) is the terrorist heating engineer is our hero of common sense.
* It’s been pointed out that the title of this post is misleading. We do not want to “prevent” Harry Tuttle, he’s the hero and one of my favorite characters. We want to avoid being “Brazilled” – Thanks Stephen Davidson!
It’s now well-documented that outside forces took advantage of social media platforms to spread rumors in order to swing the 2016 presidential election. Journalists digging into the story are looking more closely at the tools used to purchase advertising that helped amplify these rumors, and are horrified by what they are discovering.
In the days of print, each advertisement was reviewed by multiple people from both the organization that bought the ad and the publication that ran it. Extreme care was taken to make sure the advertising complemented the editorial and the message was the right fit for the audience, not only to maximize effectiveness but also to avoid instances such as the one below.
Despite careful review, print ad placements sometimes backfire
Online advertising is a delicate balance between scale and quality. The dream is to serve a perfectly targeted ad to as many people as possible. But because of the scale, it is impossible to manually review each and every ad creative for quality and fit. In the online world, people “optimize” and let the algorithms do the work.
While at Yahoo, I met with an advertiser who wanted to learn about our behavioral targeting options. I was working with a team that was thinking about exposing detailed facets of the massive Yahoo audience that would help advertisers reach very specific segments. When I walked into the room, the client had a spreadsheet he was using to allocate his million-dollar budget. After asking a few questions about his goals, I proposed a few very targeted criteria to build his target audience. Unfortunately, he grew frustrated because the total audience was too small and we were going to have to run hundreds of queries to build up the reach he needed. He didn’t have the time to continue the exercise nor appetite to keep track of all the data to show ROI to his client. The meeting wrapped up with four very broad buckets into which he poured roughly $250k each and called it a day.
He couldn’t be bothered with the details.
This is the state of online advertising today. The tools available to reach massive scale are even more sophisticated but to do it right, with quality, requires manual oversight. Ad units can be configured to dynamically swap out ad copy and assets depending on the target audience, which can also be built algorithmically. Ad spend adjusts automatically and APIs monitor trending keywords to take early advantage of trending topics and get broad reach on the cheap.
“Programmatic Advertising” is a blanket term for techniques used to automatically generate thousands of “personalized” ads at massive scale. Because it’s automated, generating ad copy variants and target segments is inexpensive. The downside is that quality suffers if you take out the human element, leaving the robots to mind the store.
There are many examples that show us that resulting matches still need regular review. As long as ad matching algorithms such as Google’s and Facebook’s remain black boxes, a regular human review is necessary to prevent the unexpected.
Which brings me back to what we’re learning today. Last week Facebook shared that ad placements made to “amplify divisive messages” were used to influence the 2016 elections. We are slowly uncovering the extent of information warfare that uses social media platforms to weaponize fake news. Using programmatic advertising to draw attention to and amplify these campaigns is a natural extension.
More careful review of editorial content posted to social networks is important to verify facts and prevent the spread of “fake news.” On the flip side, advertising platforms need review as well because ad targeting is also rife with repugnant audience segments automatically suggested by the algorithms. As they should, Facebook and Google have both said that more rigorous review is on the way but there will always be the tension of profit motives to discourage too rigorous a lens.
In the late-90’s, the movie Wag the Dog spins a tale of how a Washington “spin doctor” (Robert De Niro) hires top Hollywood producer (Dustin Hoffman) to engineer public opinion. The film made light of the gullible public but there was a broader, cynical message about how media (and the press) can be used to manipulate public opinion.
Today we are seeing this same scenario played out, but instead of manipulating public opinion through TV and Hollywood, public opinion is bought and sold using social networks and online advertising.
Isn't ironic that the word "campaign" is used to describe a presidential election, advertising buy, and military invasion?
Television markets in Japan are much more centralized than in the United States. Therefore it’s pretty efficient to allocate marketing dollars to old school TV ads (in Japan they are called “CM” as in “commercials”) to give brand lift to online marketing.
This month SmartNews dropped a set of short TV spots featuring Riho Yoshioka, and up-and-coming actress in Japan.
1 minute of news in the morning can change your life is a rough translation of the “catch phrase” of the campaign and each clip follows Riho’s character through her day.
– getting up in the morning and checking the “newspapers” before going to work
– making productive use of her morning commute
– reading our new curated International section to practice her English
– reading the news while putting on her makeup to make her evening conversations more interesting
– checking the news in the afternoon because it’s always morning somewhere in the world – right?
Hope you like it! I’m not sure how often it’s running but would love to hear if you see them on TV in Japan.
Heineken celebrates what brings us together in this well-timed advertisement. Instead of dancing around or romanticizing the polarization of the world around us, this brand has set up an experiment that leans into the nagging suspicion that we have within each of us what it would take to make the world a better place.
Take two people from different ends of the spectrum and bring them together over a beer. It’s schlocky in premise but Publis has stuck a timely chord and are following this up with a Facebook chatbot (if someone can find the link, please post it in the comments) to connect people from different perspectives to talk their differences out as part of Heineken’s #openyourworld campaign.
They say this commercial was in development for a long time so they either had a few alternates ready to go or were just extremely prescient. Either way, Budweiser’s Super Bowl ad airing this Sunday will be sure to tap into what is on everyone’s mind in a way that only a few national brands can do when everyone is looking to grab the spotlight.
By telling the origin story of Adophus Busch’s journey from Germany to America in the mid-1800’s to found his brewery in St. Louis, Budweiser enters the national conversation with its own take on the contribution immigrants have made to this country.
See if you can spot the cameo of the famous Clydesdales who normally are front and center in their national TV commercials.