Beautiful installation on an old homestead in Joshua Tree. Check out the video of the how & why.
The Shinto shrines of Ise in central Japan are famous because they have been re-built every 20 years for hundreds of years (2013 is a re-building year). In an example of long term thinking, there is a special grove of cedar trees that are grown specifically so that they may be harvested in time for the next rebuilding. The same family of carpenters have been taking care of the rebuilding, each generation being trained by the one before.
But there are some even more interesting details about Ise that I only learned today. The shrine is designed in the style of old rice warehouses. One might think that any design that needs to be rebuilt every 20 years must be flawed but there is, in fact, a reason for this design.
A great deal of rain usually falls in Japan’s early-summer monsoon, and as the thatched roof absorbs rainwater it becomes heavier. The heavy roof presses down on the walls, and this closes gaps between the wall boards, keeping the inside dry. In summer, the roof dries out and becomes lighter, allowing air to pass through the building and this also keeps it dry. Thus, the roof and pillars function together like a living organism to securely protect the seed rice from moisture and pests.
It seems to me, this harmony between form and function is uniquely Japanese, uniquely Shinto.
So now you know.
My good friends Astrid Klein and Mark Dytham were contracted to design the Google offices in Japan. Google asked them to integrate design motifs from the host country and, as is their style, they re-purposed everyday objects such as Japanese Sentō murals, giant car wash brushes, and soba stand noren to great, playful effect. More pics over at deseen.com, more about their design firm, Klein-Dytham architecture.
When I moved to Alameda four years ago I was struck by the beauty of the local movie palace. It was clearly from a different time, built before VCRs and DVDs, when going to the movies was a social activity, an occasion which you would dress up, put on something special.
Since closing its doors in 1979, the Alameda Theatre has been a roller skating rink, a disco, and most recently, a gymnastics studio. There was quite a bit of debate over how to revive the building which had, over the years, become infested with rats, water damage, and an alarming amount of pigeon shit.
Alameda is an anomaly in the Bay Area, debates rage over improvements. There is a decades old measure in place that prevents any multi-story condos or apartment buildings and the debate over how to sustainably develop the long-abandoned naval base on the West end of the island is regularly featured in the opinion pages of the local papers (we have two). The final agreement with the developer of the theatre included construction of a 300+ car garage and several mini-screens in a newly constructed addition. The thinking was that a single screen would never be able to draw the audience necessary to make the $9 million investment pay off. Debates raged with the traditionalists opposed to what they called “cineplex” – eventually the developer won over the city council and development went forward.
Unfortunately one casualty of this theatre has been that our local pocket theatre which I’ve written about before. Apparently there’s a strange arrangement that’s been made between the Alameda Theatre and the big studios that only allows first run films within a certain geographic radius. This little theatre with donated couches for seating was within that area so they could no longer feature the films that they felt brought people to their doors. Several people suggested that they could feature “art house” films but the owner confessed that artsy types don’t really go for the soda & popcorn which made up his margins. Izumi had the idea that he could still stay in business if he ran classic kids films (the Disney classics, Little Rascals, Lassie, etc) but the decision has been made and he’s showing his last filmings today. In my mind it’s unfortunate but the additional exposure for Alameda via the refurbished Alameda Theatre and the new business (and tax revenues) it’ll generate is worth this small sacrifice.
On opening weekend the renovated Alameda Theatre opened it’s doors to the community with free screenings of classic movies from the theatre’s golden age. I caught the Wizard of Oz with the family which was a real treat to see on the big screen. It was easy to imagine how incredible it must have been, at the height of the depression, for folks to come into what can only be described as a movie palace and see color moving images for the first time. Experiencing the film in the theatre, Oz’s themes of faithfully following the yellow brick road but that no wizard can grant you what you need, you ultimately need to find it in yourself rang true in context like they never did before.
After the film, we joined all the townspeople and toured this new structure and could not believe that such a small town as ours could play host to such an amazing piece of architecture. It was as if Radio City Music hall opened up on Main Street. Kids were riding up and down the escalators as if they’d never seen one before. Everyone was smiles.
So far so good, everyone in town I’ve spoken to has seen several films since opening and we all just went to see the new Pixar movie, Wall-E and when the previews started to roll, people in the crowd yelled out “Focus!” and there was a brief intermission as they threaded the second reel halfway through. One of our neighbors across the street serves popcorn. They’re still working out the kinks but I kind of like it. The theatre has a real community feel despite its grandeur.
New businesses are opening on either side of the theatre (a wine bar and a gourmet hamburger place) and, from what I hear, business is up and the line at the local ice cream shop is always long. I was skeptical that this project would ever get off the ground but, now that it’s open, I’m glad and hope it leads to a revival of Alameda’s Park Street district.
“The Sauna Box is water tight and can be transported to any location, needs minimum site preparation, has a wood fired stove and is
electrically powered by solar panels.”
– from MoCo Loco
On Market Street in downtown San Francisco they’re pulling away the awful faux marble facade from a building and revealing the preserved brownstone that’s been hidden from view all these years. The style reminds me of the wonderful Mauresque arches on the Stanford campus so maybe this building comes from the same era. It’ll be fun to watch this project evolve and once it’s done, I’m sure it’ll will but the other buildings on Market to shame.
The price of homes are so high and the opportunities for massive appreciation on the sale of a restored Victorian that those with time and money on their hands are buying old run down houses and giving them a complete makeover. We met one couple that had this dream and they would drive the streets looking for old houses in need of repair, noting the addresses, and then looking them up at City Hall. If the house had the same owner for more than 30 years, they would write the owner and ask if they were interested in cashing out their home equity by selling. They wrote over 100 letters before they got a positive response.
One problem with the old Vics is that they were often build on a brick foundation which is crumbles over time. Modern building code suggests concrete foundations with the house bolted into the concrete which is what’s going on with this house which is down the block from us.